4 Fonts: Regular, Italic, Bold, Bold Italic. (Standard, Small caps, Case forms, Ligatures, Special ligatures, Alternates, Stylistic sets, Caps figures, Oldstyle figures, Semi oldstyle figures, Tabular figures, Fractions, Superscripts, Superiors, Ornaments.)

Real Simple use on its redesign conducted by Janet Froelich with Eva Spring not only Parisine PTF Gris but also the usual Parisine PTF and Parisine PTF Plus, Parisine Office PTF along their usual PMN Caecilia.

More here about Parisine PTF Gris.

Real Simple use on its redesign conducted by Janet Froelich with Eva Spring not only Parisine PTF Gris but also the usual Parisine PTF and Parisine PTF Plus, Parisine Office PTF along their usual PMN Caecilia.

More here about Parisine PTF Gris.

The book’s design follow Kuduz’s vision and its also the reason of the choice of Parisine PTF: As opposed to posters design, the main visual language of an identity is typography. The book and exhibition material was designed by his son, Igor Kuduz and received certificate of excellence at both Type director club and Aiga annual competitions (2007).

The book’s design follow Kuduz’s vision and its also the reason of the choice of Parisine PTF: As opposed to posters design, the main visual language of an identity is typography. The book and exhibition material was designed by his son, Igor Kuduz and received certificate of excellence at both Type director club and Aiga annual competitions (2007).

Flair magazine use of Parisine. Parisine seems to fit well such use too, as with its lovely curved and smooths forms it fit the subject perfectly. Its always amazing to see of a typeface family well used who adapt to a so different context.

More here about Parisine PTF in use in Flair magazine.

Flair magazine use of Parisine. Parisine seems to fit well such use too, as with its lovely curved and smooths forms it fit the subject perfectly. Its always amazing to see of a typeface family well used who adapt to a so different context.

More here about Parisine PTF in use in Flair magazine.

Flair magazine use of Parisine. Parisine seems to fit well such use too, as with its lovely curved and smooths forms it fit the subject perfectly. Its always amazing to see of a typeface family well used who adapt to a so different context.

Sarah Buyst, the Flair art director told us:

It’s a beautiful font that is both strong and feminin. The six different weights give us the chance to play with it in our lay-out, without loosing grace. My team likes working with it!

More here about Parisine PTF in use in Flair magazine.

Parisine PTF was used by Emily Lauwers for the visual identity of the Dutch event company, Arjan van Dijk Groep: The challenge here was to present the craftsmanship of the watercolours in a fresh and contemporary way. Characteristics are the rigid grid with fragments of the drawings, the sanserif font Parisine PTF and the paper folded in squares.

Parisine PTF was used by Emily Lauwers for the visual identity of the Dutch event company, Arjan van Dijk Groep: The challenge here was to present the craftsmanship of the watercolours in a fresh and contemporary way. Characteristics are the rigid grid with fragments of the drawings, the sanserif font Parisine PTF and the paper folded in squares.

The magazine Loco-Revue, dedicated to model railways internally redesigned the premier publication on this subject in France. They used with success Parisine PTF for the new masterhead, navigation and various titling uses. Others fonts used include FF Scala and FF Scala Sans.

The magazine Loco-Revue, dedicated to model railways internally redesigned the premier publication on this subject in France. They used with success Parisine PTF for the new masterhead, navigation and various titling uses. Others fonts used include FF Scala and FF Scala Sans.