5 Fonts: Thin, Light, Regular, Demi, Bold, Black. (Standard, Ligatures, Caps figures, Fractions, Superiors, two widths caps, (OpenType features included).)

Ian Lynam used Anisette on a french restaurant (Portland, Oregon, USA) identity in a very neat and simple way. Le Pigeon restaurant.

Philippe Dabasse used Anisette double width capitals with success on a book published by Paris Musée/Musée Zadkine.

Another use (part of larger serie) of Anisette and Anisette Petite by Tiffany Warlde in november 2003.

Anisette used on the cover of the recent French version of Paul Auster book published by Actes Sud (published on the 1st April 2004). This publishing house seems to start to use Anisette for others products such records.

First appearance of Anisette in UK adverstising, ably supported by FB Nobel. Type Director: Simon Fairweather at the Agency Amirati Puris Lintas London (1998).

Wine label with Anisette Thin and Bold in their narrow version. Designed by Gianfranco Pontillo.

Very nice asymetric typographic composition by Tiffany Wardle, 2002.

Enlargement of the front cover of French magazine Panorama composed in Apolline Bold Italic and Anisette Demi. Art director: Marc Guillon.

A closer view of a good contemporary and unexpected use of Anisette and its ligatures by Tiffany Wardle in 2002. Theses 3 items form an identity composed of a letterhead, visit card and envelop.

Designed by Alejandro Paul this bath and body products line show the simple and fashion style of this furniture store from Buenos Aires called Morph. Year 2001.

Designed by Éric De Berranger, its the print version of the César du cinéma logotype, the annual French annual awards for movies. Year 2001.